Doctor under PRAG contract (AMU PhD graduate)
Research
North American cinema and cultural studies, Indigenous cinema in the US and Canada
Centuries of study
20th and 21st century
Formal education
BA in English as a foreign language (Université Côte d’Azur, formerly known as Université Nice-Sophia Antipolis : 2013-2016), Spanish minor
MA in English as a foreign language (Université Côte d’Azur, formerly known as Université Nice-Sophia Antipolis : 2013-2016)
PhD project on Indigenous studies, titled Self-representation and visual sovereignty in Indigenous cinema in the United States and Canada (ongoing, supervisor: Pr. Sébastien Lefait, Aix-Marseille Université: 2020-2024)
Experience
Native adjunct professor in French as a foreign language (Hartwick College, Oneonta, État de New York, États-Unis: 2018-2020)
Member of the American Indian Workshop (2021-)
Non-Tenured Teaching and Research Associate (Aix-Marseille Université : 2022-2024)
Articles
De Medts, G. (2023). “Alternative Indigenous Narratives and Gender Constructions in
Sydney Freeland’s Drunktown’s Finest” (2014). Transmotion. Online.
De Medts, G. (2024). “Plants, old knowledge and bright future in Naturally Native
(1999) by Valerie Red-Horse and Jennifer Wynne Farmer”. Minnesota Press. Online. (upcoming publication)